Seriously. I don't know how sitcom writers do it. I guess this must be why there are so many mediocre comedies out there and so many common storylines that every sitcom ever has done: everyone's copying everyone else, because writing comedy is too hard to do on your own.
I'm only saying this because I was saying in the last entry that I wanted to write a comedic short story, but I'm finding out that it's impossible. So I'm (reluctantly) ditching the idea. Still keeping some funnier stuff in, I think, like banter between characters or whatever. But it's going to be an angstfest towards the end. If all goes to plan. Nothing's actually written yet, of course; it's still percolating in my head. (Is that the best word? Fermenting? Ripening? Stewing? Now I'm hungry.) But once I get it all worked out in my head, it's all going to come out at once, and I'll be on fiyah.
But speaking of comedy, I'm hoping to take a class on it during winter term. Hopefully, that will make it easier for me to write said funny things without sounding like a crackhead. It's the plot that, for me, ends up making comedy writing most difficult. Dialogue is hard too, but once you get the characters down it's not too bad.
LJ keeps killing my internet. It's annoying. Maybe God is sending me a message to get off my frickin' computer.
I went bowling last night. I bowled a 25. Be impressed with my incompetence.
I finally watched the movie I'm basing my 20-page research paper on for cinema. Guys,
Birth of a Nation is the most racist movie I've ever seen. It's also one of the dullest. I almost fell asleep like 5 times, but then I reminded myself to wake up because it's a silent movie and if your eyes aren't open, you're going to miss everything. Except for "Dixie" playing 20 times. And "O Christmas Tree" 3 times, when there's not a single Christmas scene in the entire 3-hour thing. Anyway, the movie's all about the KKK saving the war-ravaged South from the black people. And it's... just awful. No explicit violence, of course, since it was made in like 1915, but the implications the premise had were all just disgusting. Because every black character in the movie was either a rapist, a rabble-rouser, or a servant of the white characters. The members of the KKK, meanwhile, are always riding around saving the women from the blacks, accompanied by heroic music. Talk about your revisionist history. Which, coincidentally, this movie might be one of the first actual examples of. I can't talk about this movie any more right now, because I'm just going to be incoherent and angry-sounding.
Whatever. I need to wash this out of my brain with some Buffy (since I finally went and got season 4!). At least the characters talk in that. And don't want to lynch everything. ...Just stab things. Which is different. Somehow.